Annie Clark, known as St. Vincent, showcases her expansive art-rock prowess on her seventh studio album, “All Born Screaming.” Following her evolution from twitchy compositions of the 2010s to the 1970s-infused funk of “Daddy’s Home,” this album marks her first self-produced effort, where she dominates as primary songwriter and multi-instrumentalist.
The album melds acid-jazz, industrial grind, and retro-futurism into a cacophony of soundscapes. Clark’s persona, depicted in tailored attire amidst flames on the album art, reflects her delicate balance of control and self-expression. Collaborations with musicians like Justin Meldal-Johnsen, Rachel Eckroth, and Dave Grohl enrich the album’s texture, but Clark’s vision remains central.
Tracks like “Hell is Near” and “Reckless” set a dynamic stage, blending ethereal introspection with explosive crescendos. “Broken Man,” featuring three drummers including Grohl, intensifies with industrial-rock vigor and provocative lyrics. “Violent Times” offers a campy respite, channeling cinematic flair reminiscent of classic Bond themes.
“The Power’s Out” evokes Bowie’s storytelling, juxtaposing programmed beats with observational lyrics amid impending catastrophe. The title track concludes the album with a blend of upbeat guitar and Gregorian-like chants over spacey synth, encapsulating the album’s exploration of existential themes.
“All Born Screaming” is a testament to St. Vincent’s evolution, showcasing her ability to craft intricate sonic landscapes while delving into profound and provocative lyrical narratives.